Illustration by Ferenc Helbing for Keleti Mesék (Oriental Tales), 1914.
From the Abraxas Journal
WHY AM I LAUGHING SO HARD WHY IS MY SENSE OF HUMOR THIS TERRIBLE
*US embassy in Berlin, July 19, 2014
The Triumph of Death, detail - Pieter Bruegel the Elder
oil on panel
117 cm × 162 cm
Museo del Prado, Madrid
Model for a City for Pilgrims, Mina, Kenzo Tange/Kenji Ekuan, 1974
"How Mordred was slain by Arthur, and how by him Arthur was hurt to the death."
Arthur Rackham art from The Romance of King Arthur and His Knights of the Round Table, 1917
A Perfect Day, 1999
The piece existed solely on the evening of the opening and consisted in the presentation to the public of the gallerist Massimo De Carlo of Milan literally affixed to the wall by adhesive tape, that almost entirely covered him, like a grotesque but not less striking crucifixion.
|—||Non-Places: An Introduction to Supermodernity - Marc Augé (1992). (via besieging)|
ueli berger - jura (1979-80)
|—||Martin Irvine The Work on the Street: Street Art and Visual Culture (2012)|
Gustav Klimt, Fir Forest I, 1901